@1 day ago with 59048 notes

Ferguson

Ferguson

(Source: unetdemi, via vivalastinaaaa)

@2 days ago with 30750 notes

monicalewinskys:

EARL WENt OFF!

(via killemwitthhkindness)

@2 days ago with 26122 notes
open-eyes-and-clear-blue-skies:

aradia-in-the-tardis:

kateitron:

hollywoodforthebirds:

thinkhappythoughtsornot:

kaeleeb:

fuckyeahitssummeralexis:

honestly the most beautiful thing i’ve ever read

….whut.
Well, shit.



Damn

meh, meh, mEH, MEH, MEH, MEH, MEH, MEH, MEH, MEH, MEH, MEH!!!!!!!!


theres a time and a place for mucking around 

What book dude I need to read it

open-eyes-and-clear-blue-skies:

aradia-in-the-tardis:

kateitron:

hollywoodforthebirds:

thinkhappythoughtsornot:

kaeleeb:

fuckyeahitssummeralexis:

honestly the most beautiful thing i’ve ever read

….whut.

Well, shit.

image

Damn

meh, meh, mEH, MEH, MEH, MEH, MEH, MEH, MEH, MEH, MEH, MEH!!!!!!!!

theres a time and a place for mucking around

What book dude I need to read it

(Source: idancee, via darrasilver)

@2 days ago with 1008409 notes

"对不起, 让你遇上了我
I’m sorry that you met me."

@2 days ago with 74302 notes

My generations best mainstream rappers.

Kdot
Drake
J Cole
Chance
Joey B
Mick Jenkins

@3 days ago

"You may not control all the events that happen to you, but you can decide not to be reduced by them."

Maya Angelou, Letter to My Daughter (via quotes-shape-us)

Yesssss

(via jollyrogers777)

(via ikanai-yo)

@4 days ago with 11635 notes

(Source: makemestfu, via vivalastinaaaa)

@4 days ago with 1716 notes
zombie-prince:

young-based-lord:

Ukrainian protester lights cigarette with molotov  

If this is not the most badass picture then idk what is

zombie-prince:

young-based-lord:

Ukrainian protester lights cigarette with molotov  

If this is not the most badass picture then idk what is

(via darrasilver)

@1 day ago with 12938 notes

jettplane:

ambitiousgurl1:

College is viewed as a necessity, yet priced as a luxury.

Word

(via killemwitthhkindness)

@2 days ago with 97002 notes
bewwbs:

xamity:

skin-and-ink:

youlovelylilshit:

imthehomoyourmomwarnedyouabout:

Ughhhhhh

Sweet fucking Jesus

Fuuuccckkkkk

oh fucking hell

Oh yes

bewwbs:

xamity:

skin-and-ink:

youlovelylilshit:

imthehomoyourmomwarnedyouabout:

Ughhhhhh

Sweet fucking Jesus

Fuuuccckkkkk

oh fucking hell

Oh yes

(Source: thetalkingguineapig, via killemwitthhkindness)

@2 days ago with 28417 notes

"The imitator dooms himself to hopeless mediocrity."

Ralph Waldo Emerson, The Divinity College Address (1838)

(Source: wikiquote.com, via howitzerliterarysociety)

@2 days ago with 127 notes
@2 days ago with 9593 notes
asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing
Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.


Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing

Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.

Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

(via warrenperhaps)

@4 days ago with 3453 notes
@4 days ago with 96 notes